Interested in starting a novel, short story, blog, essay, thesis? But you’re just not quite sure how? Or do you have a few questions about a piece of writing you’re working on? Want to go over title ideas? Writing help of any kind?
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Worried your characters might sound too much alike? Each character should have a way of speaking, phrases or words they use specific to them. They need to be distinctive because in a novel, their words are one of the main things readers have to understand their personality. You don’t want five of the same characters running around just with different hair color. That’s a boring story.
Copy five or so phrases from each character into a separate word document.
Don’t use any names and jumble the order of the phrases.
See if you can tell who the speaker is each time.
Ask a friend or fellow writer to do the same.
If no one can tell the difference, they probably are too similar. Edit!
If you’re suffering from writer’s block, try this tactic.
Take a break for a few days (3-5) from your specific story.
Each day write for 10-30 minutes about anything but be descriptive. No distractions, no phones, nothing but you and your keyboard or journal. Write about the way the light is coming through the window, the sound of your neighbor’s dog, the scratch on your desk. Don’t write a story, just write.
By the time three days has passed, your brain will have gathered a lot of imagery that will hopefully kick start your story.
You may have heard that the golden rule for writing a relationship is that if they have to kiss for your reader to know they’re in love, you haven’t written a real relationship. But what does that actually look like? How do you write something that your readers will ship? Here are my top five steps to create a love story that your readers will fall in love with.
Opposites attract but they must have something in common
A really common problem of book relationships is that the two characters are exact opposites. One is quiet, the other is loud. One likes rap, the other likes classical. One likes small towns, the other likes cities. Every single thing (or pretty close to it) is opposite. And while that can cause a spark of attraction initially, that’s it. Now they can have differences, in fact, they should. Just remember that being opposites and having differences are not the same thing. Differences are good and allow them to create a partnership where one is sometimes weak and the other strong and vice versa. But, when they are polar opposites, they are in constant opposition with each other and this is unsustainable for a relationship. Either it will feel completely forced and unrealistic or very toxic where one is constantly sacrificing who they are. Instead, allow them to have commonalities. Create situations where the characters can bond over things they have in common. Let them share a cup of coffee and talk about their love of travel. Have them bump into each other at a local spot that both of them love.
Let them love the same things
Want to build some chemistry fast? Let your character and their love interest love the same things and realize this. My favorite way to do this is to let your protagonist describe something meaningful to them. A book that changed them, a song they listen to on repeat, a spot in town, etc. Then let them explain why they love this thing to someone besides the love interest. Then at some point, let the love interest explain why and how they love this same thing or place to the protagonist (though make sure the reasons aren’t identical. That feels forced.)
Absence makes the heart grow fonder
When the love interest isn’t around, let the protagonist’s thoughts wander. This doesn’t always have to be romantic. “Ben would have already gotten us lost if he were here.” If you aren’t in a perspective that allows thoughts, let us see them talk aloud to someone else about them, especially if the other person isn’t the one who brings them up. “We need some computer expertise.” “Oh, I know someone who would be terrible. Sherry can barely email.” This works very well when the person talking about them either denies or hasn’t yet realized their feelings. It allows the reader to feel like they have figured something out and are knowledgeable about the character. This creates a great connection to the character and adds complexity to their emotions and actions.
Action, actions, actions
Unless you are portraying a toxic relationship, words don’t mean anything if they aren’t backed up. Show your characters doing things for each other, helping with the dishes, braving the parent meetings, shoveling their drive, making them dinner. If the only time we see them acting loving towards each other is when they say I love you or have an intimate scene, you have a bad relationship on your hands.
Don’t make it simple
Readers love a love story that doesn’t come easily. And one person being hesitant isn’t usually enough. Raise the stakes. Is there someone standing between them? An arranged marriage, a parent, etc. Is there a rule? Can’t date a boss or coworker, can’t date a client. Is there a personal issue? Health is taking them away, their families hate each other, they vowed to be single for x years. Make them overcome these challenges. This will have your reader rooting for the relationship. You want your reader to be emotionally invested in these characters. When things do work out, your reader will get a sense of victory, for themselves as the reader and for the characters.
Hi everyone. This post is for anyone who wants a realistic scene set in a cold climate. This is probably especially difficult for those coming from warm climates, so I’ll do my best. Here are five tips to your character (and readers). (All temperatures in Fahrenheit)
Shivering happens but don’t use that as your only way to convey the cold. Many people actually don’t shiver very much, while others tend to do the whole teeth chattering bit. It varies. Don’t make your character shiver every time you want to tell your reader its cold or it’s going to get boring and predictable.
Some other physical reactions are a very red nose, cheeks that feel rubbed raw, a very warm mouth (since its the only part that will feel warm), fingers that move slowly, wet hair that actually freezes, burning earlobes, and burning toes. Though burning tends to feel like the opposite reaction to cold, often times when the cold gets to a point, it does truly feel like burning.
DON”T simply tell us how your character feels though. If you want us to shiver along with them, tell us how the wind is whipping through the trees, creaking and groaning like an old rocking chair. Tell us how the snow sparkles with ice crystals, hardened so that the newly fallen snow bounces on the top every time a breeze stirs the air. Tell us how the snow seems to blaze in the sun, radiating a heat that tempts one to step outside yet saps the warmth the moment you do. Tell us how the snow falls, tiny little specs of ice floating down to land on a nose or a forehead, a single soldier in the army coming from the sky to cover the land in an icy grip.
Clothing makes a difference. Wearing a big warm fluffy coat will help, but the key to staying warm (or freezing without) is layering. A character can survive even negative temperatures with a few pairs of socks, a few shirts, sweatshirts, and a regular coat. But remember, especially in the extreme cold, any uncovered part (nose, ears, cheeks) will get very cold, very quickly, even if the rest of you is warm. It’s an unpleasant feeling, trust me.
Remember, not all cold is the same. Don’t just meld them all into the same thing. Some kinds of cold are :
Icy and clear/windy- this is a painful cold, but usually leads to a burning feeling. This is where frostbite happens. Wind is worse when the day is clear because there is no other resistance. You become the only thing for it to batter against. (Actual: negatives to single digits. Feels like: extreme negatives)
Icy and snowy- this is dangerous, but often times beautiful. When it’s extremely cold, snowflakes tend to be small, hard, and more like ice. This can be deceiving and can lead to extremely slippery conditions. (Negative to single digit)
Cold and clear-this is the most normal. It’s cold, but the sun is out or it’s not precipitating. If your character is going on a journey or traveling, this will be the best kind of day. You can even get warm while doing things in this kind of day. (Mid-teens to high twenties)
Cold and wet/snowing- This is the type of day where the temperatures are a little higher but because of that the snow is heavy, thick, and tends to be very wet. Despite not being very cold, this can be one of the most dangerous to be out in. You tend to get very wet in it and if you’re not properly prepared, this can lead to pneumonia or hypothermia. (High twenties to mid-thirties)
Cold and wet/rain- It’s cold, yet it’s raining. Occasionally it feels more like sleet coming down. This is miserable. It’s not extremely cold but the rain makes everything wet. This is can also lead to pneumonia. An especially dangerous aspect is the fact that when the sun goes down, the rain tends to turn to ice on the roads, sidewalks, and other surfaces making everything extremely slick. (Low thirties to high thirties)
There are many mixes of these and other types of cold depending on the climate you’re in.
Hope these tips help. Go out there and write some frigid scenes. If you have any other questions, you can comment here or shoot me a question on my contact page!